ART
RELATED :
-
(1961-1962)
Humphrey became the first director of the Art Gallery at Wofford
College [more]
-
participated
in a guild exhibition for the opening of the Greenville Spartanburg
Airport
-
(1988)
is a founding member and former president of Artspace Gallery in
Richmond, Virginia
-
(1990)
she received a VCA grant to attend the First National Conference
on Book Art in New York, representing the Richmond Women’s
Caucus for Art
-
(1994)
she curated and produced "Art ex Libris," the international
book art show at Artspace
-
(1995)
received a grant from the Virginia Commission for the Arts to produce
a video documenting the "Art ex Libris" exhibition.
-
(1996)
she was selected "Virginia Artist of the Year" by the
RWCA.
-
(2004)
involved in starting a new non-profit gallery (art6 Gallery in Richmond)
and curating its first show
-
A
frequent instructor of workshops for the Hand Workshop and The Virginia
Museum of Fine Arts
Prints
and books by Mitzi Humphrey are in many collections such venues as:
-
Franklin
Furnace
-
Andrews
Gallery at William and Mary
-
Marsh
Art Gallery at the University of Richmond
-
Anderson
Gallery at Virginia Commonwealth University
-
Instituto
Cultural Peruano Norteamericano in Lima, Peru
-
Pratt
Institute
-
Bedford
Gallery at Longwood College
-
J. B. Speed Museum in Louisville, Kentucky
-
Audigier
Gallery at the University of Tennesse
-
Virginia
Museum of Fine Arts Biennials
-
Virginia
Beach Arts Center
-
Peninsula
Fine Arts Center
-
Pyramid
Arts Center in Rochester, NY
-
Long
Island University, Brooklyn, NY.
ORIGIN:
PERSONAL:
-
Husband
is economist Thomas M. Humphrey, whose first college teaching job
was at Wofford.
-
Daughter
Sheryl Humphrey, who attended play school in Spartanburg, is now
an artist (painter) living in NYC
ARTIST
STATEMENT :
Printmaker Mitzi Humphrey believes that art is more than just a bridge
to (or a reflection of) the natural world; it is a natural force in
itself. The artist is a strong advocate of "artist’s prints,"
prints which are conceived and printed by the artist herself.
She
believes that there is a natural sequence of actions and thoughts which
cannot be approximated by the substitution of artist-and-printer collaboration
unless the artist is truly involved in every step of the decision-making
and mark-making processes.
She
says, "I strive to create unique prints which cannot reasonably
be duplicated in other media by other people—or even at another
time by me. I try to give meaning and definition to inchoate perceptions
using art as visual metaphor."
Excepts from an e-mail
from Humphrey to Scott Cunningham 2/21/04
"The
Wofford Gallery was started about 1961-1962 during the time of Sam Moyer
(a music professor) and Dean Covington. Anita Milliken, my husband Tom,
and I worked with them, and with my former professor Kermit Ewing, then
Chair of the Fine Arts Department at The University of Tennessee, in
designing and creating the small gallery space, which was located in
the basement of one of the existing buildings at Wofford.
I
can't remember the name of the building, but, as I recall, it was centrally
located on the campus. Professor Moyer died not very long after the
gallery began, and my husband and I left in 1963 for New Orleans and
his PhD work in Economics at Tulane."
"Professor Ewing helped me to design the little Wofford gallery
with track lights and a "healable" wall covering which concealed
nail holes. Workers in the gallery were student volunteers.
One
of the first shows--perhaps the first--was on loan from Knoedler Gallery
in NYC, a loan which was arranged by Anita Milliken, and had works by
such famous artists as Renoir and Modigliani.
Another Spartanburg Artists' Guild show I recall was one for which I
designed a large folding display space for the opening of the Spartanburg/Greenville
Airport." [ c.1962 ]